spring 2006 ready-to-wear

It seemed like the one unifying symbol of everything Karl Lagerfeld sent out in the collection: all the high-speed information about every trend of the season, communicated directly onto a computer screen in real time.

Part of the point of this is that Lagerfeld's febrile capacity for instant-uptake fashion can fill a football pitch—and yet still all look like Chanel. In reality, fashion is now more about the availability of a gazillion simultaneous choices rather than the single, old-school designer diktat. With this collection, Lagerfeld broke the taboo on saying that out loud—while also proving that a strong brand, strongly directed, can surf any trend without losing its identity.

It was a very interesting collection this time that Karl added a lot of elements in that.

We can see a lot of color scheme was used , for example :

complementary color scheme( yellow& violet)

achromatic color scheme

analogous color scheme(yellow & red)

tetrad color scheme